Very nice to have the rib garland in place by the week's end. I think everything has work. So many different clamping solutions. You can't see the bass for clamps.
I'm doing a comparison of 4 different fingerboards with 3 different playing set-ups. It will be like an article and it is not finished yet. But I did discover something interesting. When setting up a new bridge, I've noticed that even when everything is perfectly centred, When you look from the front, it's like the strings are more to the bass side. I assumed that this is because of the thickness of the strings, and I normally compensate for it by marking the string centres on the bridge slightly more to the treble side. However, there is another reason, and this is because of the way the strings get progressively further from the fingerboard, while staying the same distance apart. It's like they are unfurling and that makes them stretch out towards the bass side as they "unfurl". It's kind of obvious when you think about it. I just hadn't thought about it in that way before.
It was satisfyingly simple to clamp on the blocks onto the mould and mark them with the stencil. Everything fits so nicely together. The spruce for the blocks is straight and fine and shaping them was fast and easy. I will later attach them with masking tape and super glue. The corner blocks are only shaped on the inside so the delicate wood doesn't break when fitting the C bout ribs
Here is how the bass bar is looking And the inside of the pegbox, so far. Then we took newly baked hot cross buns to a picnic concert in the anemone woods down the road from the workshop. A very special portable acoustic piano. It was very lovely.
Great to see how the the bass is growing!! Wish you a nice weekend!
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